And we’re off…

(Pexels photo by Andrea Piacquadio)

When my friend Mary and I headed north for the Wisconsin Writer’s Association conference in Stevens Point on Oct. 2, little did I know that I would cross one of the first hurdles in any writer’s life. A hurdle that would make me want to be glued to my keyboard for the rest of the month. But various life events and previous commitments turned into the second hurdle between me and the end of this particular race.

So, about that first hurdle. Writers who want to try to be traditionally published must first find an agent. I figured I’d try one of the practice pitches offered early in the conference, and, what the heck, I signed up for a real pitch, too. That was on the last day of the conference and I figured it would be good practice, too. I’d have a chance to talk to an agent about what she was looking for, how I could improve my pitch, what I should plan for next time.

But as I paused in my initial statement — my mostly bungled log line and a bit about the plot and main characters — she grabbed a sheet of paper and said, “Here’s what you do next.” She actually asked to see my first fifty pages! I was astonished. (And to save us both embarrassment in case I trip over the next hurdle, I’ll keep her anonymous.)

But, after accepting congratulations from Mary and other friends at the conference, I got home and started polishing those pages. I’m still polishing with just a few days left to send them to the agent.

They were rougher than I remembered. And all in first person.

I made the decision months ago but didn’t act on it because I was busy with some short stories that had more immediate deadlines. So, on Oct. 6, I started changing the point of view from first to a version of third person, variously called “limited” or “close” third person.

I’ve had to fight two tendencies as I’ve revised. One battle is to keep away from the omniscience that is, frankly, a natural POV for me. I’m making it up, after all, so of course I know everything. The other is to let the reader into the head of my POV characters. In other words, I have to convince myself it’s okay to read my character’s minds and share all that with my readers.

Another problem was a decision to add the second POV, and that meant moving a discussion from a later chapter up closer to the front. Based on what my wonderful critique partners have said–independently, I might add–that seems to be my roughest chapter.

I should be working on that, not this, right now. I only have a few more days to get it done.

But in all the years I’ve been writing this blog, this is one of the key moments in my fiction career. And it may go no further if the agent who decided to take a chance on fifty pages decides they’re too rough for her to take any on. (Fingers crossed she likes them.)

Still, an agent let me cross the first hurdle and I’m still aglow with joy and hope. This is my celebration. (I’ll break out some wine after I send the pages.)

À bientôt!

Mysteries on Canal Street

What could be more fun than celebrating mysteries in New Orleans?

I just got home from the World Mystery Convention, commonly called Bouchercon, in the Big Easy at the Gulf end of the Mississippi River, and it was a great gathering.

To say Bouchercon, for those who are unfamiliar with the event, start with BOW (like what the butler does), followed by CHUR (like church), then CON. (not pro). Bow-chur-con.

The event this year, I heard, drew something like 1,600 people — readers and writers, book sellers and book buyers — from around the world for five days of fictional murder and mayhem, with panels, interviews, awards, and more.

And swag! Lots of swag. I came home with a (buried in the picture) Mardi Gras themed tote bag in purple, green and gold, filled with books, book marks, jar openers, a bottle opener, candy, key chains, book marks, a pair of socks (because we adopted a “pound puppy” when my kids were young), pens — always a favorite of mine– and (also buried) a t-shirt celebrating Blood on the Bayou–Case Closed. Authors bring the swag to remind readers of their books, and I picked up a bunch of it during one of the two Author Speed-Dating sessions. I went to the early-riser event with my roomie, Sharon Michalove (“City Sharon” to my “Country Sharon”), who was one of the authors introducing her work to the fans who attended.

The New Orleans case was finally closed. I originally planned to go to Bouchercon in New Orleans years ago, but COVID cancelled that trip. I had my fingers crossed that we would see no resurgence in September, and that a relatively calm hurricane season would also pass us by. Thankfully, neither calamity struck the city and “City Sharon” booked us a huge room an easy trolley ride from the conference hotel. One generous trolley driver who had to wait for a light even took my picture for me.

We came early and settled in for a week. On our first day in town, she took a cooking tour while I volunteered to help with conference set up. She loved the tour to the city’s School of Cooking, with a traveling beverage tour afterward. I’m lucky enough that my first trip to NOLA was for a food writers’ conference, so I figured I could pass on the tour.

Court of the Two Sisters
Bourbon House

We had a few meals in and around the French Quarter. One night I joined a group of several Blackbird Writers at the Court of Two Sisters where I had a great steak dinner with bread pudding for dessert. A few in our group, though, ordered the flambeed Bananas Foster, which was a show in itself.

Another night, I went to Bourbon House, which was also good. The highlight there, I thought, was the red-gowned woman entertaining with her trained parakeets just outside the window where we sat. Sadly, I didn’t get any pictures of her birds in action.(I was plying my fork, not my camera.)

The Creole House, next to the conference hotel, was handy for a breakfast, a lunch, and a dinner on different days of the conference. And the hotel, the Jung, where I stayed with my roomie, had a lovely weekend breakfast service, too. Next door to Tulane University Department of Medicine, and just blocks from the Superdome, the old hotel has a touch of elegance that newer hotels, for all their modernity, can’t touch. Our double-queen room would have been considered a suite in many other places. And the staff, who greeted us my name by the second morning, proved most helpful when we needed tips.

The meals and sidetrips were fun, but the best part of the conference was seeing old friends and making new ones. On most of those occasions I tended to get caught up in conversation and forgot to take pictures. But I really enjoyed them.

One new friend, Linda Amey, even helped me decide which of the many novel drafts I have to work on now that I’m home for a while. (Well, I will be heading to Stevens Point, Wisconsin, for the Wisconsin Writers Association conference next month. But that’s just a long weekend.) It’s lovely when a brand new friend helps you set a goal you’ve been dawdling about for months.

Next Bouchercon is in Calgary. I hope they have a great, big crowd of fans and writers!

In the meantime, I’ll be writing!

À bientôt!

Adieu, Malice

For the past four years, I’ve been working behind the scenes for the mystery conference Malice Domestic®. This year, I stepped down. With mixed emotions.

(Photo courtesy Malice Domestic/John Mewshaw)

The board I worked with this year was absolutely the best.

As with any new endeavor, the first year involved a steep learning curve. I really didn’t know what I was getting into when I offered my desktop publishing skills — learned over years of working in newspaper design — for the MD program. Turns out, my incredibly talented predecessor, Rita Owen, was doing way more than just slapping some program pages together. I never did fill her footsteps, as elements of the job she handed off to me got distributed among other board members.

My first year at the conference also was the first in-person Malice after COVID shut it down. My program had to incorporate two years of honorees and nominations and more. It was not flawless. (Not one of them has been.) And I lived in the office for most of the conference. I made it to two Sunday morning sessions in rooms that were mere footsteps away from my windowless corner office.

The second year went a little better, but I didn’t make it to a single session. Don’t get me wrong. I did make it to the banquet and the Agatha tea both years. They were wonderful. And I was hopeful for year three.

But shortly after we cleaned up and got home from Bethesda, Maryland, where Malice Domestic is held, we suffered through a painful board transition that threatened to derail a long-standing mystery community tradition. Cindy Silberblatt, who had been chair years before, stepped up and reeled us all back in. We had super help from our anthology publisher, John Betancourt of Wildside Press, to ensure that element of our tradition wasn’t interupted. Though it wasn’t our original theme, he and his hard-working staff gave us Mystery Most Devious (followed by this year’s Mystery Most Humorous) on time for our signing session. Even our honorees worked tirelessly to ensure a seamless conference.

A family health concern meant I was unable to attend the conference, though, so my fingers were crossed I could actually be there for my fourth Malice this year.

(Photo courtesy Malice Domestic/John Mewshaw)

Despite an unexpected budget hit — I had to get a new furnace — I managed to get to Bethesda for the conference. Since it was my last year on the board, I really wanted to see a few sessions. And, thanks to the generous (and sometimes goofy) board that I worked with, I did!

I finally feel like I’ve had the fun, fan experience that is is Malice Domestic®. I made it to several sessions, including the Guest of Honor interview of Marcia Talley and the Lifetime Achievement interview of Donna Andrews.

I got to visit with fans and authors alike. Everyone was so friendly you really needed the nametags to know who was a fan and who was an author.

I enjoyed the Dorothy Gilman book club session in honor of our “Malice Remembers” author. I hope that becomes a tradition. I bought a trunk of middle grade books at the live auction. My grands and greats will enjoy that. (Yes, I have both.) I had fun, and added a couple of rows to my current afghan project, at Ellen Byron’s crafting session in the hospitality room.

(Photo courtesy Tassey A. Russo)

I was busy on Thursday when Jane Cleland hosted a pre-Malice writing workshop, but I was lucky enough to join her table at the Agatha Awards banquet. She was a marvelous hostess and I enjoyed the company of everyone at our table. (Jane is wearing a red jacket.) I always love her Saturday morning workshops, and I finally had a chance to thank her in person. If you haven’t read her Josie Prescott Antiques Mysteries, give them a try.

(Photo courtesy Rebecca Brittenham)

I even got to go to my first signing session as a short story author! A half dozen of the Guppies who are included in the eighth Guppy Anthology, Gone Fishin’: Crime Takes a Holiday, had our own signing session on Sunday morning. I have to thank the rest of the Malice board for making that happen, too. (Here’s hoping it becomes a new tradition.)

I’m sad to admit I’m probably not going to be able to attend next year for MD38, but I’m saving my money for a future Malice. (And I know a new furnace isn’t going to mess with my budgeting!)

If you like mysteries and have never attended Malice, I encourage you to go. The conference celebrates traditional mysteries in the vein of Agatha Christie (hence their awards, the Agathas). Check it out at malicedomestic.net! There’s still time for the early bird discount.

But for now, I need to hit the road for the next stop on my spring road trip.

À bientôt!

The woman in mystery

Photo borrowed from NPR

Next month, I’m scheduled to give a talk on the history of the mystery for the Center for Learning in Retirement, part of the offerings at our local community college.

I gave a version of the talk in September 2022 for one of my bookclubs, but that was an hour among friends. This is supposed to be two hours for people I’ve never met.

But while I’ve been working on expanding the talk, I’ve been discovering just how vast is the legacy Agatha Christie left behind. I like to think of her as the young woman who began a lifelong career of writing, as she is in this picture I found in an NPR article about her. (I couldn’t find my way back to the original article, but here’s another about her.)

And here are just a few of the things I plan to include in my talk.

Among contemporary writers who write Christie-style mysteries is Lucy Foley, whose 2020 debut The Guest List. Her was a Book of the Month Club selection when it came out.

Lori Rader-Day, a Chicagoan by way of central Indiana, wrote her only – so far – historical novel when she was reading about Christie and learned that Christie’s country home in southwestern Great Britian was a shelter for children – babies and toddlers, actually – evacuated from London during the war. Lori immediately thought she wanted to read the book about that moment in Christie’s life. But she learned no one had written it. So she decided to do it herself. Her Death at Greenway has since won an Agatha Award.

Because Christie’s family is still in the picture, they have been pretty focused on maintaining their rights to her copyrights and characters.

There is one authorized successor, however, who has their blessing to continue the Hercule Poirot stories. Sophie Hannah, who was a recognized Christie expert and fan, was invited by the family to continue the Poirot stories. I believe she’s up to five now.

It was through Lori that I met Sopie, who was a guest at the Midwest Mystery Conference before COVID. Back then it was called Mystery and Mayhem in Chicago, organized by Lori and book publicist Dana Kaye. Since then, Tracy Clark, another award-winning Chicago writer, has joined the MMC team. (This year’s conference is Nov. 9. Check it out here.)

If you like historical fiction, you might want to look into Marie Benedict’s The Mystery of Mrs. Christie. The novel focuses on the eleven days that Christie disappeared just before Christmas in 1926.

If you’d like to compare the novel to an actual biography, there are several. Lucy Worsley’s Agatha Christie: An Elusive Woman, is probably the most recent. It’s not the one that inspired Lori Rader-Day, but I enjoyed reading it. I also enjoyed Worsley’s PBS series based on her research.

But, back to work on the talk.

À bientôt!