And we’re off…

(Pexels photo by Andrea Piacquadio)

When my friend Mary and I headed north for the Wisconsin Writer’s Association conference in Stevens Point on Oct. 2, little did I know that I would cross one of the first hurdles in any writer’s life. A hurdle that would make me want to be glued to my keyboard for the rest of the month. But various life events and previous commitments turned into the second hurdle between me and the end of this particular race.

So, about that first hurdle. Writers who want to try to be traditionally published must first find an agent. I figured I’d try one of the practice pitches offered early in the conference, and, what the heck, I signed up for a real pitch, too. That was on the last day of the conference and I figured it would be good practice, too. I’d have a chance to talk to an agent about what she was looking for, how I could improve my pitch, what I should plan for next time.

But as I paused in my initial statement — my mostly bungled log line and a bit about the plot and main characters — she grabbed a sheet of paper and said, “Here’s what you do next.” She actually asked to see my first fifty pages! I was astonished. (And to save us both embarrassment in case I trip over the next hurdle, I’ll keep her anonymous.)

But, after accepting congratulations from Mary and other friends at the conference, I got home and started polishing those pages. I’m still polishing with just a few days left to send them to the agent.

They were rougher than I remembered. And all in first person.

I made the decision months ago but didn’t act on it because I was busy with some short stories that had more immediate deadlines. So, on Oct. 6, I started changing the point of view from first to a version of third person, variously called “limited” or “close” third person.

I’ve had to fight two tendencies as I’ve revised. One battle is to keep away from the omniscience that is, frankly, a natural POV for me. I’m making it up, after all, so of course I know everything. The other is to let the reader into the head of my POV characters. In other words, I have to convince myself it’s okay to read my character’s minds and share all that with my readers.

Another problem was a decision to add the second POV, and that meant moving a discussion from a later chapter up closer to the front. Based on what my wonderful critique partners have said–independently, I might add–that seems to be my roughest chapter.

I should be working on that, not this, right now. I only have a few more days to get it done.

But in all the years I’ve been writing this blog, this is one of the key moments in my fiction career. And it may go no further if the agent who decided to take a chance on fifty pages decides they’re too rough for her to take any on. (Fingers crossed she likes them.)

Still, an agent let me cross the first hurdle and I’m still aglow with joy and hope. This is my celebration. (I’ll break out some wine after I send the pages.)

À bientôt!

Mysteries on Canal Street

What could be more fun than celebrating mysteries in New Orleans?

I just got home from the World Mystery Convention, commonly called Bouchercon, in the Big Easy at the Gulf end of the Mississippi River, and it was a great gathering.

To say Bouchercon, for those who are unfamiliar with the event, start with BOW (like what the butler does), followed by CHUR (like church), then CON. (not pro). Bow-chur-con.

The event this year, I heard, drew something like 1,600 people — readers and writers, book sellers and book buyers — from around the world for five days of fictional murder and mayhem, with panels, interviews, awards, and more.

And swag! Lots of swag. I came home with a (buried in the picture) Mardi Gras themed tote bag in purple, green and gold, filled with books, book marks, jar openers, a bottle opener, candy, key chains, book marks, a pair of socks (because we adopted a “pound puppy” when my kids were young), pens — always a favorite of mine– and (also buried) a t-shirt celebrating Blood on the Bayou–Case Closed. Authors bring the swag to remind readers of their books, and I picked up a bunch of it during one of the two Author Speed-Dating sessions. I went to the early-riser event with my roomie, Sharon Michalove (“City Sharon” to my “Country Sharon”), who was one of the authors introducing her work to the fans who attended.

The New Orleans case was finally closed. I originally planned to go to Bouchercon in New Orleans years ago, but COVID cancelled that trip. I had my fingers crossed that we would see no resurgence in September, and that a relatively calm hurricane season would also pass us by. Thankfully, neither calamity struck the city and “City Sharon” booked us a huge room an easy trolley ride from the conference hotel. One generous trolley driver who had to wait for a light even took my picture for me.

We came early and settled in for a week. On our first day in town, she took a cooking tour while I volunteered to help with conference set up. She loved the tour to the city’s School of Cooking, with a traveling beverage tour afterward. I’m lucky enough that my first trip to NOLA was for a food writers’ conference, so I figured I could pass on the tour.

Court of the Two Sisters
Bourbon House

We had a few meals in and around the French Quarter. One night I joined a group of several Blackbird Writers at the Court of Two Sisters where I had a great steak dinner with bread pudding for dessert. A few in our group, though, ordered the flambeed Bananas Foster, which was a show in itself.

Another night, I went to Bourbon House, which was also good. The highlight there, I thought, was the red-gowned woman entertaining with her trained parakeets just outside the window where we sat. Sadly, I didn’t get any pictures of her birds in action.(I was plying my fork, not my camera.)

The Creole House, next to the conference hotel, was handy for a breakfast, a lunch, and a dinner on different days of the conference. And the hotel, the Jung, where I stayed with my roomie, had a lovely weekend breakfast service, too. Next door to Tulane University Department of Medicine, and just blocks from the Superdome, the old hotel has a touch of elegance that newer hotels, for all their modernity, can’t touch. Our double-queen room would have been considered a suite in many other places. And the staff, who greeted us my name by the second morning, proved most helpful when we needed tips.

The meals and sidetrips were fun, but the best part of the conference was seeing old friends and making new ones. On most of those occasions I tended to get caught up in conversation and forgot to take pictures. But I really enjoyed them.

One new friend, Linda Amey, even helped me decide which of the many novel drafts I have to work on now that I’m home for a while. (Well, I will be heading to Stevens Point, Wisconsin, for the Wisconsin Writers Association conference next month. But that’s just a long weekend.) It’s lovely when a brand new friend helps you set a goal you’ve been dawdling about for months.

Next Bouchercon is in Calgary. I hope they have a great, big crowd of fans and writers!

In the meantime, I’ll be writing!

À bientôt!

5 tips for finishing your writing project

My local writing group just held its first Writing Day Camp for Big Kids (high school age and older). My contribution was this list of tips to help finish.

1. Pick your project

Pexels, Suzy Hazelwood

What sort of project do you want to try? Aiming for a well-written family Christmas card is a much different goal that trying to write a full novel. Knowing what your goal is will help you figure out how much time you’ll need to plan for the project.

If you’re just getting started with writing, it may help to begin with smaller projects so you can learn how nice it feels–and how long it really takes–to finish something.

2. Get started

There is no right way to start your project. We’ve shown you how to start from a prompt today. You can also start from scratch, a process many call pantsing – writing by the seat of your pants. Or you can plot. If you like the idea of plotting, there are all sorts of free resources on the web, including:

https://www.cultofpedagogy.com/narrative-writing/ (This is for teachers to guide students, but it has all the main steps for planning a story.)

https://jerichowriters.com/how-to-plot-a-novel/  (standard plotting)

https://jerichowriters.com/how-to-plot/ (“snowflake” plotting

Sites like these will often ask you to sign up for newsletters or buy classes or services. Feel free to ignore the requests. You can look at these without buying anything.

A book may be bigger than what you want to do, but the steps and advice can be pared down to smaller projects.

3. Schedule time to write

Pexels, Jess Bailey Designs

Put writing time in your calendar. One of the biggest problems we Gals have faced is working writing into our lives. And while you often hear the advice that your must write every day, it’s more important to keep to a schedule even if it’s less frequent. I know a couple of novelists who have completed books with the bulk of their writing time coming on weekends.

Seriously, if you keep a calendar, put your writing time on it. In BIG HIGHLIGHTED LETTERS if that helps.

If you miss a writing appointment, don’t quit. Just pick up at your next scheduled date. It’s all about building a habit.

4. Read

Read often and widely. Stephen King says he writes every morning and reads every afternoon. It helps to read the kinds of articles, essays or books you want to write. But it also helps to read well-written books of any type. Fiction or nonfiction, literary or genre. I’ve always believed the rules of writing seeped into my mind as I read books, magazines and newspapers as a child. I was good at writing in school not because I could diagram sentences well – I hated doing that—or because I remember all the rules of grammar. I still think I learn every time I read someone else’s work.

To keep your reading on track, there are books clubs in the area. I belong to a couple online and a couple at the Freeport Public Library. Check your nearest library to see if they have one.

5. Find your writing group

Pexels, Elevate

There are any number of regional, national, and international organizations for writers. They revolve around topics, genres and geographic areas. Some meet online, some in person. Membership costs vary. Here are a few to consider:

Chicago Writers Association — https://www.chicagowrites.org/join

Northern Illinois Newspaper Association — https://ninaonlinedotorg.wordpress.com/membership-2/

National Federal of Press Women — https://www.nfpw.org/join-nfpw

Illinois Women’s Press Association — https://www.iwpa.org/membership/join-us/

Wisconsin Writers Association — https://wiwrite.org/about-wwa-2/join

Off Campus Writers’ Workshop — https://ocww.info/join-ocww

Sisters in Crime — https://www.sistersincrime.org/page/join-now (There are Chicagoland and Wisconsin chapters of this group, as well as the totally online Guppy chapter.)

Women Fiction Writers Association — https://wfwa.memberclicks.net/index.php?option=com_mcform&view=ngforms&id=38580#/

Academy of American Poets — https://poets.org/membership

Haiku Society of America — https://www.hsa-haiku.org/join.htm

Society of Children’s Book Writers and Illustrators — https://www.scbwi.org/membership

Creative Academy for Writers — https://creativeacademyforwriters.com/join-us/ (This group is headquartered in Vancouver, BC, Canada. You can join and take part in many activities for free.)

Historical Novel Society — https://historicalnovelsociety.org/members/why-join-the-society/ (Founded in the UK, it also has a US headquarters.)

American Christian Fiction Writers — https://acfw.com/acfw-membership/

National Association of Memoir Writers — https://www.namw.org/become-a-member/

Speculative Literature Foundation — https://speculativeliterature.org/membership/ (For information about the Chicago chapter, drop a note to lewella@speculativeliterature.org.)

Happy writing, everyone.

À bientôt!