And we’re off…

(Pexels photo by Andrea Piacquadio)

When my friend Mary and I headed north for the Wisconsin Writer’s Association conference in Stevens Point on Oct. 2, little did I know that I would cross one of the first hurdles in any writer’s life. A hurdle that would make me want to be glued to my keyboard for the rest of the month. But various life events and previous commitments turned into the second hurdle between me and the end of this particular race.

So, about that first hurdle. Writers who want to try to be traditionally published must first find an agent. I figured I’d try one of the practice pitches offered early in the conference, and, what the heck, I signed up for a real pitch, too. That was on the last day of the conference and I figured it would be good practice, too. I’d have a chance to talk to an agent about what she was looking for, how I could improve my pitch, what I should plan for next time.

But as I paused in my initial statement — my mostly bungled log line and a bit about the plot and main characters — she grabbed a sheet of paper and said, “Here’s what you do next.” She actually asked to see my first fifty pages! I was astonished. (And to save us both embarrassment in case I trip over the next hurdle, I’ll keep her anonymous.)

But, after accepting congratulations from Mary and other friends at the conference, I got home and started polishing those pages. I’m still polishing with just a few days left to send them to the agent.

They were rougher than I remembered. And all in first person.

I made the decision months ago but didn’t act on it because I was busy with some short stories that had more immediate deadlines. So, on Oct. 6, I started changing the point of view from first to a version of third person, variously called “limited” or “close” third person.

I’ve had to fight two tendencies as I’ve revised. One battle is to keep away from the omniscience that is, frankly, a natural POV for me. I’m making it up, after all, so of course I know everything. The other is to let the reader into the head of my POV characters. In other words, I have to convince myself it’s okay to read my character’s minds and share all that with my readers.

Another problem was a decision to add the second POV, and that meant moving a discussion from a later chapter up closer to the front. Based on what my wonderful critique partners have said–independently, I might add–that seems to be my roughest chapter.

I should be working on that, not this, right now. I only have a few more days to get it done.

But in all the years I’ve been writing this blog, this is one of the key moments in my fiction career. And it may go no further if the agent who decided to take a chance on fifty pages decides they’re too rough for her to take any on. (Fingers crossed she likes them.)

Still, an agent let me cross the first hurdle and I’m still aglow with joy and hope. This is my celebration. (I’ll break out some wine after I send the pages.)

À bientôt!

To (self-)publish or not to (self-)publish….

(Wikipedia photo)

I finally made it past the programs and other materials I’ve been working on all March. And I managed to squeak over the finish line in a class I took on self-publishing.

I’ve grown up imagining seeing my books on the library shelf. “The” library was always the one in my home town, the one where I spent a lot of my spare time as a kid, the one where I got my first job.

But my first full time job — at my hometown newspaper — conditioned me to expect to hear presses run minutes after the last story landed on the last page. Not an ideal expectation for someone seeking a traditional book publishing experience, where the day you type “the end” can be years before the day you open the box with the finished copies of the book from the publisher.

I know more than most, I suppose, about the printing process. I even took a printing class when I was in college. I loved setting type and working hand-fed presses. But that’s another story.

I’ve waited so long to devote time to writing fiction, that I have my doubts about being able to wait patiently for that traditional book publishing cycle. And I haven’t even looked for an agent yet (although I’ve had a couple encourage me to send them something when I finish the book).

So, the class in self-publishing was led by Jim Jackson, a past president and past member of the Sisters in Crime Guppy Chapter. The Guppies are “the great unpublished,” although the name is a misnomer since many members stay in the chapter after they’re published, sharing what they’ve learned with the rest of us who haven’t reached that lofty stage yet.

Jim taught a great class on revisions last year. It was intense, but amazingly organized and detailed. I loved it.

When I heard he was teaching one on self-publishing, I new it, too, would be well-planned, well-researched and, well, amazing. I figured it would be the ideal way to get all the facts so I could make a good decision about whether to keep trying for a traditional contract or just go it alone.

I haven’t made my final decision yet, but I do feel well-prepared to make it in the next few months.

I’ll keep you posted.

Tips for self-publishing

Do you want to write to make money? Is writing your hobby? Or are you interested in publishing one book, perhaps a memoir to give to family members? If you’ve decided self-publishing is your best option, regardless of your long-term goals, consider these tips from Ryan Lanz.

How to Tell Which Self-Publishing Company is Right For You | A Writer’s Path.
http://ryanlanz.com/2015/06/20/how-to-tell-which-self-publishing-company-is-right-for-you/