Falling toward fall

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Are you a take-it-easy-in-the-summer-and-jump-back-in-when-it’s-over type? Or are you an everything-else-slows-down-so-I-revel-in-summertime kind of person?

Personally, I always get antsy for a refresh when autumn gets close. I guess my rhythms are still tied to the school year. I want new books and new pencils and new calendars. And I want to think about new stories, which makes it hard to focus on the fixes I need in my work-in-progress.

This year, I’ll be on the road for my refresh-month. Instead of staring at my keyboard, watching words stretch across the screen, I’ll be squinting at my GPS and trying to get on the road early until I reach my destination–wherever that may be.

I am looking forward to the time at the end of the road, visiting family and friends. But I still hope to squeeze in some time on my writing. I hope that doesn’t sound too selfish. But I have been waiting all my life to put stories to words, to polish my prose until it resembles poetry.

I’m inspired by stands of corn turning yellow, and by leaves, curling and crimson. By vivid red sumac leaves. And those first days of rime on the marigolds.

I want a pinch of purple prose in my life. But a pinch every day.

When I retired–and I’ve said this before–I was so used to being busy I volunteered for a dozen or more “small jobs” for groups I belong to or thought I could help. It took most of my time for four years. (I can hardly believe I’ve been retired for going on five years. They’ve flown.) But last fall the inkling of “spare time” glimmered on my personal horizons. I’ve gone back to the beginning. (See my February and March posts for details, if you’re curious.) I’ve replanned the novel I decided to focus on at Bouchercon in New Orleans last September. And I’ve been inching toward a much revised draft since then.

Inching because I’ve still let a few “small jobs” slip into my life. One has had me looking for free (or reduced price) illustrations since last spring. I am reworking some small booklets, but even though I have words on the new templates, I have yet to find appropriate new illustrations. That’s the biggest new job I’ve taken on. And when it’s done, it’s done.

Another new task (Note to IRS: one with a small paycheck) is a feature story for a trade publication. That could go on indefinitely, but it’s not too time consuming so far, and I enjoy doing it.

But none of that sates my annual urge to curl up with a good book–even if I’m “curling” at my computer and writing my own book. And this year, as I gear up in my usual way, I will be putting the brakes on my progress.

I’ve talked with some of my writing buddies. They are supportive, encouraging me to try to write at least one sentence every day while I’m gone. We’ll see how that works. I’m hopeful. And my fingers would be crossed, but it’s hard to type that way.

À bientôt!

Art in cooking

After deciding last month that my artist dates don’t have to be more solo time, I really enjoyed a bus trip with my sister and a bunch of other women to a few stops in Middleton, Wisconsin. The first stop, and the place where I took part in some cooking art, was Frostwood Farms Kitchen.

An event space, the restaurant buys some of its locally-sourced produce from St. Isadore’s Garden in Fitchburg, Wisconsin, a few miles to the southeast. St. Isadore’s is part of the St. Vincent de Paul Society, where the garden also supplies food for its foodbank.

Sharon’s photos

On the day we visited the restaurant, we were treated to fresh chips and St. Isadore salsa with tomatoes from the garden and a fabulous raspberry mind spritz mocktail. (I had two.) Lunch was a melt-in-your-mouth, marinated, grilled flank steak with garlic and herb butter, all served atop an heirloom cherry tomato salad with baby mozzarella cheese, arugula lettuce, red onion and cucumber drizzled with a balsamic dressing.

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A variation on artist’s dates

Artist’s dates are an idea from Julia Cameron, the woman who created a movement with her book, The Artist’s Way. I started working through her twelve-week course earlier this year. (I wrote about it and a few other things in February.) Cameron suggests solo artist’s dates weekly to refill the well we draw on when we create art–whether visual or verbal. She describes them as solo dates “to do something fun.”

While the idea of doing something fun is certainly a good one, I spend enough time on my own. I’ve been an “empty nester” and a widow for quite a few years now, so doing things by myself is my norm. Planning more time alone isn’t as much fun for me, especially when I’m trying to feed my inner artists.

This month, though, I had a chance to do a couple of group crafts, and I realized those are my perfect artist’s dates.

(Sharon’s photo)

The first one was at our local writing group’s “Day Camp for Big Kids.” One of our newest members is a professional graphic artist and a crafter. She offered to lead us through a process that recycles junk mail into folios. She imagined they would be ideal for snippets of stories, inspirational pictures, character notes and anything else we might want to save for stories we’re working on. She also said we could take them to conferences or other gatherings to hold business cards and other small memorabilia we might pick up there.

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Beyond iambic pentameter

Celebrate Poetry Month

Every year in April the Academy of American Poets (AAP) celebrate their literary form for the whole month. As a sometime poet, I love to think about verses, scrawl them in random notebooks, and sometimes try to have them published.

The first poems I ever wrote are lost to me now. My youngest sisters–twins–needed to find a poem to take to school the next morning. I must have been in high school and they must have been in second or third grade. I was the most prolific reader of us four sisters, so they came to me for help.

We looked for a poem in one of the books in the house, but it wasn’t something our parents had. We might have found examples in our World Book encyclopedias, but I don’t think it occurred to us. Or if we did check, there were no poems for kids.

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The difference focus makes

Sharon’s photos

At the rate I’m going this year, I may actually have a completely revised (and possibly ready to pitch) manuscript.

Since I started working through Jim Jackson’s revision and self-editing process in January, I’ve made it through the total read-through and identified the major changes. Yes, I’ve been at it since January, but it’s not like I’ve put in eight hours a day on the project. In fact, I did some rough math and calculated I’ve actually spent a little more than week and a half on this project. If I didn’t have other “retirement” activities, I might have finished the entire revision by now.

But I do have other activities and, frankly, I don’t plan to drop too many more of them. I have a couple of board memberships that will expire next spring, but by then I may have a solid revision plan to work with.

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