Category: writing

South and back

~ sharon ~ Leave a comment

Just yesterday, I heard a “honk of geese” (that’s not the collective noun, but it should be) and looked up to see two V’s flying southeast over my house. That annual flight pattern always makes me think it’s time to get ready for winter.

Pexels pic

All month long, I’ve been meaning to do the math to figure out how much farther I’ve faux-walked (treadmill) and faux-biked (stationary) on the virtual trek I started down the Mississippi two years ago in October. Less sedentary folks would have made the journey multiple times by now. But I’ve been too busy to find each day’s tally. I do know I’ve made progress this year, but knowing the actual distance will have to wait. I can already pledge to try to do better next year, though.

I did make an actual car trek to Alabama in the beginning of the month to visit my youngest and his family. (No pix, sorry.) The worst of that trip was the day I–the avowed five-hour-a-day-max driver–was stuck on a highway that I later learned was closed by state police for two hours to conduct a high speed chase. Their high speeds meant turtle pace and stand-stills for the rest of us. I missed an early rerouting that might have saved me some of the nine hours I eventually spent in the car. Threw me off the rest of the ride home. (The visit, by the way, was wonderful.)

Guppy illustration

But the biggest delay in Mississippi River math early in the month was making final revisions on my short story for the Sisters in Crime Guppy Chapter eighth anthology, Gone Fishin’: Crime Takes a Holiday. (It’ll be out in February.) It’s my first fiction publication and I’m probably more excited about it than I should be. But I have always loved short stories. The first fiction I ever wrote was a short story–science fiction–about a lab that reached absolute zero. This one is about a vacation in Croatia that goes terribly wrong for a nanny and her ward. It’s called “Blood on the White Rose.” I can hardly wait to hold it in my hands.

Making the changes the editor suggested (after finishing the ones my critique group suggested) was different. He saw some clear holes, only one of which I knew I hadn’t dealt with well. I hope it’s better now. I have no idea if my post-acceptance experience was typical. But I’m working on another short story, so, with luck, I’ll find out. In any case, it was one of the challenges keeping me from the Mississippi walk math. And I’m anxious to get back to my short story now.

I’ve added two writing sessions to my routine this month. I need more time on task (and, apparently, less doing Mississippi math). And I signed up for the Sisters in Crime November Marathon. With luck, that will help me make progress on my novel! I’ll keep you posted.

A bientôt!

More mystery

~ sharon ~ 1 Comment
(Photo courtesy Library of Congress)

Just about all I’ve been doing lately (apart from the two weeks I took off to visit my son’s family down south — where it was already spring) has been to research the history of the mystery. I gave the talk about it last week, and was surprised that my timing was as good as it was. It fit the two-hour time block just great.

I can’t speak to how good the talk was, but several people said they liked it. I know I had fun putting it together.

While I worked on it, and even as I gave the talk, I kept thinking I was covering 100 years of mystery.

But, in fact, I started briefly before Edgar Allan Poe, who introduced us to the amateur detective C. Auguste Dupin in “The Murders in the Rue Morgue” in 1841. But my research convinced me I had to go back much further to set the stage. In fact, one source suggested that without Voltaire, who in 1748 divided people into two categories — those who observe and deduce versus those who intuit conclusions — we wouldn’t have either today’s detectives or mystery stories.

But from 1748, then 1841, and all the way to this year’s Edgar® and Agatha award winners gets us into the 200-year range. No wonder I felt a little rushed.

At any rate, I hope to give a couple more talks about mysteries. I think the first would focus on cozies. Another might just look at women’s contributions to mysteries. There are sooooo many!

Another possibility might include just “locked room” mysteries. Poe is credited with creating them in “The Murder of Marie Roget.” The “locked room” or  “closed room mystery is a puzzle based on a crime in a place with no apparent exit, yet somehow the perpetrator manages to sneak in and out, leaving, if not dead bodies at least mayhem in her or his wake.

A French mystery writer, Gaston Leroux’s most famous book isn’t really a mystery. He gave us The Phantom of the Opera. But in his 1907 book, The Mystery of the Yellow Room, Leroux expanded on the notion of the locked-room mystery.

Agatha Christie’s And Then There Were None, set on an isolated island, is a “remote location” mystery, a variation on a locked-room mystery. She also gave us variations in Murder on the Orient Express, Murder in Mesopotamia, and Hercule Poirot’s Christmas.

Gigi Pandian is another devotee of the locked-room mysteries. Her Under Lock and Skeleton Key (2022) is part of her Tempest Raj series of novels.

I might even consider doing a talk about Chicago and the mystery. That could be fun to put together.

À bientôt!

The woman in mystery

~ sharon ~ Leave a comment
Photo borrowed from NPR

Next month, I’m scheduled to give a talk on the history of the mystery for the Center for Learning in Retirement, part of the offerings at our local community college.

I gave a version of the talk in September 2022 for one of my bookclubs, but that was an hour among friends. This is supposed to be two hours for people I’ve never met.

But while I’ve been working on expanding the talk, I’ve been discovering just how vast is the legacy Agatha Christie left behind. I like to think of her as the young woman who began a lifelong career of writing, as she is in this picture I found in an NPR article about her. (I couldn’t find my way back to the original article, but here’s another about her.)

And here are just a few of the things I plan to include in my talk.

Among contemporary writers who write Christie-style mysteries is Lucy Foley, whose 2020 debut The Guest List. Her was a Book of the Month Club selection when it came out.

Lori Rader-Day, a Chicagoan by way of central Indiana, wrote her only – so far – historical novel when she was reading about Christie and learned that Christie’s country home in southwestern Great Britian was a shelter for children – babies and toddlers, actually – evacuated from London during the war. Lori immediately thought she wanted to read the book about that moment in Christie’s life. But she learned no one had written it. So she decided to do it herself. Her Death at Greenway has since won an Agatha Award.

Because Christie’s family is still in the picture, they have been pretty focused on maintaining their rights to her copyrights and characters.

There is one authorized successor, however, who has their blessing to continue the Hercule Poirot stories. Sophie Hannah, who was a recognized Christie expert and fan, was invited by the family to continue the Poirot stories. I believe she’s up to five now.

It was through Lori that I met Sopie, who was a guest at the Midwest Mystery Conference before COVID. Back then it was called Mystery and Mayhem in Chicago, organized by Lori and book publicist Dana Kaye. Since then, Tracy Clark, another award-winning Chicago writer, has joined the MMC team. (This year’s conference is Nov. 9. Check it out here.)

If you like historical fiction, you might want to look into Marie Benedict’s The Mystery of Mrs. Christie. The novel focuses on the eleven days that Christie disappeared just before Christmas in 1926.

If you’d like to compare the novel to an actual biography, there are several. Lucy Worsley’s Agatha Christie: An Elusive Woman, is probably the most recent. It’s not the one that inspired Lori Rader-Day, but I enjoyed reading it. I also enjoyed Worsley’s PBS series based on her research.

But, back to work on the talk.

À bientôt!

Short stuff

~ sharon ~ Leave a comment
(Photo by Jan van der Wolf, pexels.com)

March has blown by, hasn’t it?

But as it winds down, it the perfect time to offer kudos to my friends who are on the lists for short story awards this spring.

At Malice Domestic 36 — which begins with pre-conference activities April 25 and opens officially April 26 — there are five nominees in the Best Short Story category. There are links on the website’s Agatha Awards page if you want to read the short stories. There are also links at malicedomestic.net for general information (include late registration).

The Derringer Awards (could there be a better name for a mystery short story award?) came out on the last day of the month. Check them out on The Short Mystery Fiction Society Blog. The categories there are Flash, Short Story, Long Story and Novelette.

And in my own short news, I submitted a short story to an anthology. Fingers crossed, it gets picked. I’ll let you know.

À bientôt!