Next month, I’m scheduled to give a talk on the history of the mystery for the Center for Learning in Retirement, part of the offerings at our local community college.
I gave a version of the talk in September 2022 for one of my bookclubs, but that was an hour among friends. This is supposed to be two hours for people I’ve never met.
But while I’ve been working on expanding the talk, I’ve been discovering just how vast is the legacy Agatha Christie left behind. I like to think of her as the young woman who began a lifelong career of writing, as she is in this picture I found in an NPR article about her. (I couldn’t find my way back to the original article, but here’s another about her.)
And here are just a few of the things I plan to include in my talk.
Among contemporary writers who write Christie-style mysteries is Lucy Foley, whose 2020 debut The Guest List. Her was a Book of the Month Club selection when it came out.
Lori Rader-Day, a Chicagoan by way of central Indiana, wrote her only – so far – historical novel when she was reading about Christie and learned that Christie’s country home in southwestern Great Britian was a shelter for children – babies and toddlers, actually – evacuated from London during the war. Lori immediately thought she wanted to read the book about that moment in Christie’s life. But she learned no one had written it. So she decided to do it herself. Her Death at Greenway has since won an Agatha Award.
Because Christie’s family is still in the picture, they have been pretty focused on maintaining their rights to her copyrights and characters.
There is one authorized successor, however, who has their blessing to continue the Hercule Poirot stories. Sophie Hannah, who was a recognized Christie expert and fan, was invited by the family to continue the Poirot stories. I believe she’s up to five now.
It was through Lori that I met Sopie, who was a guest at the Midwest Mystery Conference before COVID. Back then it was called Mystery and Mayhem in Chicago, organized by Lori and book publicist Dana Kaye. Since then, Tracy Clark, another award-winning Chicago writer, has joined the MMC team. (This year’s conference is Nov. 9. Check it out here.)
If you like historical fiction, you might want to look into Marie Benedict’s The Mystery of Mrs. Christie. The novel focuses on the eleven days that Christie disappeared just before Christmas in 1926.
If you’d like to compare the novel to an actual biography, there are several. Lucy Worsley’s Agatha Christie: An Elusive Woman, is probably the most recent. It’s not the one that inspired Lori Rader-Day, but I enjoyed reading it. I also enjoyed Worsley’s PBS series based on her research.
But as it winds down, it the perfect time to offer kudos to my friends who are on the lists for short story awards this spring.
At Malice Domestic 36 — which begins with pre-conference activities April 25 and opens officially April 26 — there are five nominees in the Best Short Story category. There are links on the website’s Agatha Awards page if you want to read the short stories. There are also links at malicedomestic.net for general information (include late registration).
The Derringer Awards (could there be a better name for a mystery short story award?) came out on the last day of the month. Check them out on The Short Mystery Fiction Society Blog. The categories there are Flash, Short Story, Long Story and Novelette.
And in my own short news, I submitted a short story to an anthology. Fingers crossed, it gets picked. I’ll let you know.
Today marks the Lunar New Year — the first day of the Year of the Dragon — a year I find personally auspicious. It’s my year, after all.
I was born in the Year of the Dragon — I’m old enough not to go into details — and I always look forward to my own year in the Asian zodiac. You might say, I’m “fired up” about the New Year. (Don’t groan too loudly.)
This year, especially, since I effectively took January off for an extended visit with family and friends, I really feel like now is the right time to start a new year.
I’m ready to set some goals. Outline some projects. Block out time on my calendar. Start fresh.
Since Feb. 10 is also the feast day of Blessed Alojzije (Aloysius) Stepinac of Croatia (learn about him here), it seems fated that I should talk about some New Year’s traditions from my Croatian side.
Yes, the dragon represents the Asian year. But the pigs with their gold coins represent an old Croatian tradition.
First, though, you should know that in Croatia (a country known for its potent plum brandy), people believed that the way you behaved on New Year’s Day would set the tone for your entire year. Ideally, you should have a neat house and everyone in it should be quiet and well behaved all day. That may have been due to overindulgence in plum brandy the night before, but I can’t say for sure.
The main course, if possible, was pork on New Year’s Day.
They didn’t eat chicken, because chickens move their feet backward as they scratch the soil. Having chicken on your table could bury all the year’s good fortune.
They didn’t eat rabbit because the timid creatures run away, carrying good fortune with them.
They didn’t eat fish because they swim away from you, prosperity slipping away in their wake.
They did eat pork because pigs, when they root around for food, dig forward. As they uncover treasures to munch, they also uncover heaps of good fortune for the new year.
So put some pork on your table tonight and enjoy the fortune of fresh, new year!
I’ve added short reviews of several holiday-themed cozy and traditional mysteries. They’re great for curling up with hot chocolate this time of year.
I’ve included books from Donna Andrews, Rhys Bowen, Kate Carlisle, Agatha Christie, Vicki Delany, Francis Duncan, Joanne Fluke, Jacqueline Frost, and Charlotte MacLeod. And, despite putting them in alphabetical order here, they aren’t quite that way in my reviews.
Red and gold leaves, yellow corn stalks and orange pumpkins are the colors we typically think of in autumn.
But on a road trip this month, I decided to take a break — and a walk — at the National Quilt Museum in Paducah, Kentucky. And there, I fell into the blue end of the rainbow.
I’d passed by the signs for the museum a few times before and I finally followed them in April. It seemed to me that by November exhibits would have changed. And I was right.
I love wandering around the halls of the museum, stopping to admire the designs and the stitchwork in so many of the quilts. The museum is dedicated to contemporary quilts, though some are traditional looking and others quite modern. These crafters consider fabric their art medium, and they express themselves in unusual ways.
I saw a few familiar quilts from the permanent collection, and there were, as I suspected, a few holiday pieces on the walls. But they weren’t the dominant theme. In November, the primary displays included works of a married couple, as well as a mother-and-daughter pair of quilters. Quilts by an individual artist filled one room, while another featured the work of the museum’s “Block of the Month Club,” and the largest hall was devoted to a show by a group of quilt artists.
Detroit fabric artist Carole Harris’s work, including the three at the top of this post, comprised an exhibit called Time Pieces. The quilts are (from left) Wall Remnant, Blues in the Night, and Woven Remnant. She explains on her website that her work “relies on improvisation. I am fascinated by the rhythms and energy created when I combine multiple patterns and textures. I let the material and colors lead me on a rhythmic journey.” I believe this exhibit closed in November, but you can see some of her art on her website.
The mother-and-daughter team of the Black Renaissance exhibit are Lola Jenkins, mother, and Precious Caroll, daughter. Their creations, remaining through early March 2024, include a lot of small quilt portraits of famous and ordinary people. Lola Jenkins’ colorful portrait of BB King and Precious Caroll’s young girl in, “Lighthouse by the Tree,” are just two examples of their work. Most of their quilts are roughly the size of a small painting and I can imagine them mounted on a wall behind a couch or in a bedroom.
Jenkins, on the quilt museum website, says, “Using fabric as paint helps me to understand and express my feelings and … helps to make me feel whole.” Carroll, also on the website, explains she moved from Delaware to Nebraska “with the primary focus to learn my mother’s quilting techniques… .”
Reese created the left four quilts; Brueggenjohann, the right.
The other team — wife Jean Brueggenjohann and husband James Reese — also create smaller pieces, but draw their inspiration from natural and imagined worlds. Brueggenjohann uses traditional quilt piecing techniques to lead viewers through stories. Reese previously worked with metals or in digital media, seels his fabric images and playful mixes of color, pattern and design to create stories. Their show called Divergent Paths — Altered Realism & Abstraction will also be featured at the museum through early March.
The images of Reese’s four-part story, clearly science fiction in nature, are called (from far left, top to bottom) “They’re Back!,” “Where No Cat Has Gone,” “They’re Here,” and “They Don’t Stop Anymore.” These quilts are all from 2023.
Brueggenjohann makes scenes from nature in her 2022-23 quilts “The OtherWorld” (from mid left, top to bottom), “The Garden,” “The Sea,” “The Forest” and “The Polar Night.”
One of the smaller galleries included quilts that are part of the museum’s “Block of the Month Club.” Quilts from Round 4 of the challenge, in my “panoramic” shot illustrate the interpretations quilters gave to the theme. They were scheduled for exhibit through early December. And there were lots of blues.
The theme for Round 5 is Exploration/Exploring/Explore. Seeing these quilts made me wish I knew how to sew. But I started thinking about ways I might be able to mimic the look in the needlecraft I know–crochet. We’ll see. But for folks with actual quilting skills, check out the challenge on the museum website.
Another blue that caught my eye was Annette Kennedy’s “Mountain Chapel” from 2008. It was one of the more traditional in appearance, but I guess the Longmont, Colorado, resident might have been influenced by views near her home.
But the exhibit that I found most fascinating on this trip was the exhibit from Studio Art Quilt Associates titled “Primal Forces: Wind” that will remain through Jan. 9, 2024. Not only was it full of blues, it also featured a huge variety of fabrics, quilting styles and interpretations of wind.
Dorothy Raymond of Loveland, Colorado, created the free motion, appliqued quilt she called “Turbulence” (left) in 2022. Signs in the museum remind visitors not to touch the quilts, but I had a hard time keeping my hands off the silks, cottons, wools and other fabrics of “Turbulence.” The quilt created for me a sense of waves rippling wildly across the surface of an ocean, and I wanted to dip my hands right into the “water.”
Victoria Qutierrez of Reno, Nevada, created “Winds of Change” (right) in 2022. Can’t you just see the hurricane approaching the sandy beaches and forested shores of two islands? That’s what I see in the cotton, rope, wool roving, Angelina fiber and glass beads in this quilt. It is so much more vivid than any of the weather maps that illustrate these massive storms.
As a Midwesterner, I couldn’t help being sucked into Cat Larrea’s “Tornado” (left) from 2022. The hand-dyed cotton quilt with fused applique makes me want to head to the basement. I was surprised to learn that Larrea is from Anchorage, Alaska.
There were so many beautiful images in this exhibit I could find dozens more to share, but enough is enough. If you happen to be passing Paducah on any road trips in the next few weeks, I encourage you to follow the signs to the National Quilt Museum and see them for yourself.
In fact, I urge you to do as I’ve done: Make it a regular stop in your travels. There will always be something new to see.
sharon p. lynn 